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Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.) Granted Application number CNA2004100095370A Other languages Chinese ( zh)
Music keys with high energy pdf#
Google Patents Popular song key segment pick-up method for music listeningĭownload PDF Info Publication number CN1598923A CN1598923A CNA2004100095370A CN200410009537A CN1598923A CN 1598923 A CN1598923 A CN 1598923A CN A2004100095370 A CNA2004100095370 A CN A2004100095370A CN 200410009537 A CN200410009537 A CN 200410009537A CN 1598923 A CN1598923 A CN 1598923A Authority CN China Prior art keywords short time energy audio fragment critical section threshold value Prior art date Legal status (The legal status is an assumption and is not a legal conclusion. Google Patents CN1598923A - Popular song key segment pick-up method for music listening
Music keys with high energy how to#
“The Essential Secrets of Songwriting” 6 e-book bundle will show you how to write great songs, harmonize your melodies, and give you hundreds of chord progressions in the process.CN1598923A - Popular song key segment pick-up method for music listening Written by Gary Ewer, from “ The Essential Secrets of Songwriting” website Your song might be great in Ab major, but that could be a problem if you’ve been wanting to use a tin whistle or other non-chromatic instrument. This is particularly true when using acoustic instruments. It’s best, especially if you’re using other players, to check with everyone, to make sure that your key choice makes sense. Remember also that in choosing key, the singer’s voice is only one factor. So if you find yourself doing the same background accompaniment figures as the last song, change the key. Also, many players have certain riffs and chording patterns that show up more in certain keys. It creates a kind of listener fatigue, and makes it sound like you only know how to play in one key. If you’re putting a demo recording together, you’ll want to be sure that all your songs aren’t in the same key. Make sure your key choice is playable by your band.

Because an instrument like the Alto Sax is an Eb instrument, it means that choosing A major for your song puts the alto in F# major (6 sharps).
Music keys with high energy professional#
Any professional player should be able to play in any key, but it’s good to consider the instrumental accompaniment for your song. (Make sure the key change doesn’t put it out of your vocal range.) You’ll need to be careful about how you transition from one key to the other (see this article to help), but a successful key change can be exciting. For example, if both your verse and chorus use G C Am D G, bump the chorus up into a new key.

If your verse and chorus use a very similar chord progression, you can freshen up the song by changing key for the chorus. Key Change and Verse/Chorus Similarity.If you find that a song has too much pent-up energy, and you want to relax it a bit, try lowering the key by a semitone or whole tone in addition to the other usual solutions (slower tempo, lighter instrumental accompaniment, etc.) Hand-in-hand with the previous point, it’s important to consider that overall song energy can be greatly affected by key. Great example: The Beatles’ “Helter Skelter.” Singing at the top of your range, even if it feels a bit uncomfortable, can add power and meaning to your word. So choose a key that allows those notes to be at the top of your vocal range. Your melodies’ highest pitches should coincide with your lyrics’ most emotive words. Key Choice and Melody/Lyric High Points.Consider the following 5 tips for choosing a key for your next song. There’s so much more to consider than to simply consider where the song feels easy to sing. So I’m not really addressing that part of the process in this post.
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Download “The Essential Secrets of Songwriting” 6-ebook bundle, and get HUNDREDS of chord progressions, and TONS of songwriting advice!Īs a first step to choosing a key for your song, you’ll want to be sure, naturally, that the chosen key allows the song to be singable by you, or whoever you’re writing it for.
